MZED – $150 off their all-access membership or 30% off individual classes.Adobe Creative Cloud – Never pay full price! (see below) – 40% off All Apps.– 40% off everything – Discount code: thanks-40.PixelTools – 40% off their excellent Film Emulation PowerGrades – code: BLKPIXEL40.– My favourite place on the internet – 2 for 1 on new subscriptions.EditMentor – 75% off ($ 399 down to $99!) Stephen Mark, ACE Advanced Editing Workshop.EditStock – 40% off site wide with the code EMWIN.Knights of the Editing Table – Up to 30% off Premiere Pro Extensions.This Guy Edits, Go-To Editor Course – Save $50 off this unique training course.Inside The Edit – 50% off subscriptions for new members.BackBlaze – 50% off unlimited cloud back ups from 26th – 29th November – Code: blazeon21.– Extra 15% off Premium Memberships – Discount Code: COLOR21.Hedge – Up to 50% off their apps, discounted bundles and much more….LearnColo r – Save $600 off Alex Jordan’s epic teaching bundles.Waqas Qazi Freelance Colorist Course – Save $300 on 27 hours of training!.Master The Workflow – EXCLUSIVE – Save $89 on Digital Codebook & Training.Here’s a shortlist of the Black Friday Deals for Film Editors 2021:
But because I’ve listed them early on, doesn’t guarantee that they will! Some of them have offered me exclusive discounts or details of their deals ahead of time, so be sure to check back regularly over the next week or two to see if new deals are available for the thing you’re after.įor others of them, I’m guessing that if they ran a Black Friday deal last year, they may well this year. In this post I’ve reached out to all the post production brands I know best, to see if they’re running a deal this year, in order to help save you a few bucks and also support their essential businesses. The Best Amazon Black Friday Deals for Film Editorsīlack Friday 2021 (November 26th) is nearly upon us, with deep discounts on post production services, software and essential gear, already appearing online.Post Production Promo Codes and Discounts.Black Friday 2021 Deals for Film Editors.Thanks to the folks at RG for this offer.The Best Black Friday and Cyber Monday Deals for Film Editors I'm not getting any kickbacks from this, and there is no catch - I simply wanted to offer some discounts to NFS readers, and Red Giant's tools are perfect high-value, low-cost matches for indie filmmakers. Expiration Date: 1 week from today (expires 6/2/11).30% Off Promo Code (apply during checkout): NFS30.Grinder retails for $49, but with our No Film School coupon that drops to under $35. No, it's not expensive, especially compared to other camera accessories and tools that run hundreds if not thousands of dollars. It's for people who want something that works right every time with no fuss. Grinder is a zero-config, drag-and-drop app with a few carefully-chosen options custom-tailored for the needs of HDSLR shooters. Some are easier to configure than others. Yes, there are many free ways to convert media files. Grinder's strength is its singularity of purpose and its simplicity. Yes, there are free options for doing similar transcoding work - you can use Apple's bundled Compressor if you're using Final Cut Pro, or you can try MPEG Streamclip or Canon's own tool. Take the tedium out of transcoding and get to the editing you love. Version 1.5 adds new features directly from customer requests, which include important Apple ProRes codecs, timecode from camera EXIF data, new 25p conform frame rate, and render priority control. Grinder converts Canon video to edit-friendly formats, burns in timecode and generates web-resolution proxies in a single time-saving pass. Magic Bullet Grinder is the smartest way to transcode DSLR/HDSLR footage. Version 1.5 of the well-reviewed tool was recently released, which adds timecode generation among other features: So whether you're editing in FCP and need to transcode, or just want to speed up your editing, here's a 30% off coupon for Grinder - a No Film School exclusive! I've found that Red Giant Software's multi-core, dead-simple processing tool ends up saving a lot of time in the editing session.
After editing a couple of projects in Premiere without transcoding, I've since started using Magic Bullet Grinder to convert to ProRes anyway, because shuttling and scrubbing in the timeline is much more responsive on transcoded footage. However, just because you can does not mean you should. It was a big deal when Premiere Pro CS5 introduced native HDSLR editing, because it removed the need to transcode h.264 video to a more editable format like ProRes.
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